About Me

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Leicester, United Kingdom
Thank you for viewing this blog. My name is Joshua, a recent BSc Geography graduate from Coventry University, now starting on a Geography PGCE at the University of Leicester. My main area of expertise is within the domain of physical geography, with particular interests in Geomorphology, Quaternary Climates and Environments, and weather, climate and climate change. An area that I am not so familiar to is biogeography, but this is an additional area I am keen to develop and engage with.

Purpose of this Blog

The purpose of this blog is to aid mine as well as others (teachers, students and the public) understanding and knowledge in the subject field of Geography, with particular emphasis on the human domain; specifically cultural geography. This is an area I know limited about, in comparison to my specialism, and an area that I have come to find neglected in school education (*explained below). Firstly, this blog will introduce the concepts of GEOGRAPHY, to give details to those with limited understanding and experience; to outline the complexity of this ever changing subject and field. Secondly, and introduction to cultural geography and its branches will be outlined, with some sub-division examine in more detail than others. This is based on what I feel is lacked in education and the curriculum. Finally, a list of resources and references will be presented, which can be used for KS3 and used for all exam boards at GCSE level.

It needs to be noted that cultural geography is multidisciplinary and multifaceted within the geographical field, so overlaps into other geographical disciplines. I have tried to keep it purely separated for the sake of this blog, but it can be used for addition disciplines.

*This statement is based on my interpretation of the National Curriculum (NC) and GCSE specifications, where some of the branches within cultural geography e.g. sexuality and space, children's geography, music and behavioural geography are not fully acknowledged or identified within the NC for geography or in GCSE/A-Level specifications. In all honesty, cultural geography seems to be side-lined and/or integrated within economic, development and population geography. I feel for people (teachers, students and the public) to fully understand the scale and magnitude of geography, they need to be informed of the different branches and sub division within geography/cultural geography; highlighting individual branches of geography, whilst at the same time, explain and identifying how the different branches connection and are in relation to one another. For example, a number of schools in Leicestershire in year 9 look at music festivals and there locations, but they fail to highlight the key concepts of geography within that topic. For example, that topic would include cultural geography in the form of musical, behavioural, sexuality and tourism geography, but these are not identified and explained, leading to narrow-minded approaches within society. No wonder people assume geography is just colouring in, volcanoes and rocks.

The different branches and sub-branches of cultural geography will be explain in due course.

Friday, 12 July 2013

Part 2: Festivals:

Why study festivals?

Teachers should use festivals as a way of teaching pupils about the geography of music and how it can impact people and place. These impacts are both positive and negative and occur over a range of scales, times and spaces; locally-globally. Pupils will recognise music in the context of geography, and how music culture can affect people and places (environments). Music brings together a range of groups and individuals, all of whose ‘culture’ (morals, ethics, principles, life style, etc.) is influenced by music geographically.

Cultural Geography Linkages (note: the interconnection between each linkage):

  • Arts and Literature: Festivals manifest a number of musical arts, which influence festival audiences and their culture. For example, Greenpeace at Glastonbury promote the NGO literature (banners, books, etc), which over time will influence individuals/groups to act differently towards the environment.  
  • Groups: Festivals like Glastonbury bring together several diverse groups of all ages from metal heads, to indie rockers, students to celebrities. These groups all embrace different cultures and all congregate together in one massive fields. This congregation allows people to see different cultures, and in the long run can influence other individuals/groups.
  • Media and Representation: Media coverage of festivals can be negative and positive; depending on group behaviour and site management (safety and environmental). This can lead to the promotion of one group from another, which can have global significant e.g. the student movement in the 90’s.  
  • Ethnicity and Religion: Festivals bring together a number of diverse races and religions, from global communities, all of which again congregate together and influence each other, expanding cultural knowledge and understanding.
  • Commodities and globalization: Festivals generate economic investment selling goods from global companies, allowing all cultures/communities to purchase local commodities from the host country. In addition, as mentioned above, with groups gathering together, the world of culture is becoming more globalized.
  • Branding: A generalisation of festivals is that they are for students and part of a drunken culture of shame. Is this true? Do over 30+ attend? Think of the economic benefits they bring to the local/regional area.


Resources:

Use the following link to gain access to a Power Point. This Power Point gives teachers a guide on how to deliver a lesson on designing a festival. Pupils can work on the task individually or in groups. I would suggest allowing the use of GIS in the form of Google Maps to aid location selection, as well as to enable pupils to research other festivals like Glastonbury and V-Festival, to see what the organizers and planners have/had to consider when setting up the festival. NB: This will be time consuming so give extra when planning.

In addition, try to get pupils to think about the impact music festivals have on the local-global environment, as well as local-global culture in general. For example, music lovers from all around the world travel to Glastonbury every year (except the jubilee year), and so environmental is negative because of the CO2 generated from traveling via plane, car or bus. However, some festivals have set up bicycles lots for locals to store their bikes on when travelling to festivals, reducing previous CO2 particulates. Every little helps I guess!  

http://www.school-portal.co.uk/GroupHomepage.asp?GroupId=914157 (look on the left hand side of the website for the PP link).

Additional Resources:

For KS3 the following Power Point from TES will be of use. GO TO THE TES WEBSITE AND LOG IN!

  • The geography of music festivals- created 09 April 2013, viewed 117- Lesson done with year 9. Looks at distribution, impacts and the future of sustainable festivals.

The below link is a useful scheme of work plan, that will be able to help with planning lessons with regards to music festivals. NOTE: It will download a word document to your computer.


  • RGS resources for festival map work and sustainability.


  • UK tourism fact files on music tourism.

http://www.ukmusic.org/assets/media/UK%20Music%20-Music%20Tourism.pdf

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